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Part 009 · BRUISES FROM SILENCE | Serial 009

BRUISES FROM SILENCE · N. D. Jules

Work, which had always been the place where my brain’s edges felt clean, began to blur. Not disastrously. Not even perceptibly, if you weren’t me or Andre.

First I missed a comma in a report that made a sentence read like an accusation instead of a recommendation. The client flagged it, a minor embarrassment that still made my stomach clench because details were the way I proved I was paying attention.

Then I sent a draft with a placeholder “(see Appendix X)” left in, the kind of oversight I’d chastise a junior for. Tasha caught it and pinged me with a polite “Original illustration.” I wrote back, Thanks. Late night. Won’t happen again. She sent a heart that looked like solidarity and warning both.

I arrived late to a nine a.m. stand‑up because I’d fallen back asleep after hitting snooze. The room gave me the kind of permissive smile people wear for dependable colleagues having an off day. My boss, Marion, said nothing and asked me later, in her office, if everything was okay. Her tone wasn’t edged. The question still sat on my file in invisible ink.

“Everything’s good,” I said, with the practiced ease of a man who knows saying “not good” will require a series of explanations that would let the air into places he’d rather keep sealed.

“Then take a day if you need one,” she said. “I’d rather have your brain sharp three days out of five than dulled all five.”

“I’m fine,” I said. The word felt like a lid I pressed down on boiling water.

Andre stopped by my desk shortly after with two coffees. “You forgot this,” he said, setting one down like a friend who knows better than to make big gestures.

“I didn’t forget,” I said. “I was attempting to quit in solidarity with my pancreas.”

“Your pancreas sent me a memo,” he said. “It prefers you caffeinated and emotionally honest.” He sat on the corner of my desk, too large for the space and perfectly comfortable in it. “You okay?”

“I’m good,” I said, alarmed at how quickly the lie came now. “We’re just... Anaïs and I... you know. New rhythms.”

“The living‑together kind?” he asked mildly.

“We’re not living together,” I said, defensively. “We’re… adjacent.”

“Uh‑huh.” He sipped his coffee. “How’s adjacent treating your attention to detail?”

I rubbed a hand over my face. “I’m fine.”

“Stop saying fine,” he said, not unkind. “Say tired. Say excited. Say overextended. Fine is a fog.” He tilted his head. “You know we’d cover you if you needed a day.”

“I know,” I said. “I’m good.”

He studied me, then nodded. “Okay. If you’re good, be good. But if you need an exit ramp, I’ll build one.”

I thought of the green scarf on my chair and the postcards above my desk. I thought of glass in the corners. “Thanks,” I said. “Really.”

Anaïs claimed more nights, and then days began to yield. On her off days, she took the couch with the authority of someone who had paid rent with stories. She made playlists that replaced my quiet morning news, insisting “the world will still be awful at noon.” She tromped back and forth between the bedroom and the bathroom in one sock and then the other, singing a line from a song until it burrowed into my brain and built a nest.

“You pace,” I noted one afternoon.

“I practice,” she corrected.

“For what?”

“For the moment a word arrives and needs catching,” she said, then grinned. “Also because my legs don’t like chairs.”

She shed her clothes wherever it suited her, a breadcrumb trail of straps and cotton that mapped desire like a treasure hunt. It was charming on Mondays and like living with weather by Thursdays. I learned to step around piles the way you learn to step around puddles, not because they bothered you but because you didn’t need wet socks.

When I suggested (softly, because I was learning the taxonomy of soft, softer, softest) that we figure out where her shoes lived, she kissed me for my trouble and tossed them into the closet like a basketball she didn’t expect to make. “See?” she said, when they landed on a shelf by luck rather than aim. “System.”

Sometimes she mocked me in a way that made me laugh. “Mr. Incident Response,” she’d say, backing into the hallway as if calling my title into a ring, “tell me what port you open to get more kisses.”

“443,” I’d say. “Secure only.”

“Boring,” she’d groan, tackling me. “I want danger.”

Other times, the mocking cut and then blamed me for bleeding.

“You love your job more than anything,” she said one night when I answered an email from a client who had decided to call a vulnerability a “feature under review.”

“I like being useful,” I said. “It calms me.”

“It makes you a tool,” she said, sweetly, as if using the word made of wood could make it kinder. “You’d be so much more interesting if you quit and toured with a band and learned to make mezcal in Oaxaca.”

“I don’t play an instrument,” I said.

She rolled her eyes. “You’re missing the point.”

“What’s the point?”

“That your life should be a story worth telling that isn’t an email thread,” she said. Then, catching my face, softened. “I’m teasing. Don’t pout.”

“I’m not,” I said, because my emotions wore suits and didn’t want to be seen in public.

On a humid Friday, I gave her a key. It wasn’t an event. It was me being practical. She was going to be there when I wasn’t, and asking her to coordinate arrivals with my returns made no sense.

“Are you sure?” she asked, the question bright and glinting.

“Of course,” I said, placing the brass on her palm like a coin for the ferryman. “You’re here more than there. It’s silly to make you wait in the hallway.”

She closed her hand around it. “I hate hallways,” she said. “They’re like sentences that never get finished.”

After that, her arrivals became independent of my proximity. Sometimes I’d come home to find her asleep under my blanket with the TV running on a show I would never have chosen. Sometimes the bathtub would be full of cooling water and a ring of wilted petals she’d thrown in “for romance,” she said, apologetic only about the ring. Sometimes she’d be sprawled across my desk in a slow, lazy stretch like a cat daring the keyboard to do something about it.

Once, I returned to a group of her friends in my living room, their laughter loud and affectionate. She waved an arm: “Family,” she said, proud of the chaos she’d brought. “We’re pre‑gaming before the show.” I shook hands, passed around a bowl of olives, and tried to fold myself into the scene. A woman with a nose ring asked what I did and then, upon hearing, made a face like I’d told her I catalogued mildew.

“It’s interesting,” I said, not asking for her approval.

“I’m sure it is,” she said, without conviction. “Anaïs needs a man with a boring job. It grounds her.”

“We don’t say that out loud,” Anaïs said, and tossed a cushion at the woman with a laugh that made fun of the idea and me at the same time.

Later, when the apartment quieted, I said, “Ask me next time.”

“Ask you what?”

“Before you bring people over.”

She lifted a shoulder. “It’s your place,” she said carefully, like I’d just asked her to say so on tape. “I thought you’d like my friends.”

“I do,” I said. “I just... I want to know when I walk into a party.”

She studied me, then put a hand against my chest like she was reminding herself where I began. “Okay,” she said, mildly. “You like to be prepared. I forget. I run on impulse and you run on instruction manuals.” She kissed the spot her palm had warmed. “We’ll meet in the middle.”

We didn’t. We learned to stand on our own sides and wave.

The second small outburst happened in the grocery store. We were in the cereal aisle debating the ethics of cartoon mascots when my phone buzzed. I glanced down. Marion. I didn’t answer, because I was with Anaïs, and because I had promised myself to be less reachable on Saturdays.

“Important?” she asked, flipping a box of granola to read the sugar content as if it were a poem with a twist ending.

“Work,” I said. “It can wait.”

“Answer it,” she said, sudden and sharp. “Don’t be performative.”

“I’m not.” I put the phone back in my pocket. “We’re picking cereal.”

“Your job pays for the cereal,” she said, accusing me of disloyalty to my own story. “Don’t be an ass.”

I called Marion back in the frozen foods section while Anaïs glared at a pint of ice cream like it had insulted her lineage. The call took two minutes. A quick question, a quick answer, a thank you. I hung up.

“Happy?” I asked lightly.

“You’re impossible,” she said, and pushed the cart too fast, bumping it into the upright freezer with a hollow clang that made a child two aisles over cry out in sympathetic alarm.

“Anaïs...”

“I don’t want to fight in front of the peas,” she said, and then laughed, the sound bouncing off tile and plastic. “I’m tired.”

At checkout, she kissed my shoulder blade through my T‑shirt like that counted as an apology. At home, she fell asleep on the couch while a cooking show described the pleasures of slow simmering. I watched her mouth slacken and thought of commas, of how they keep the sentence from being something else entirely.

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