Free serialized edition

Part 010 · BRUISES FROM SILENCE | Serial 010

BRUISES FROM SILENCE · N. D. Jules

The men at work stopped by my desk more often with jokes I recognized as worry in costume.

“You good, man?” Jamal asked one afternoon, leaning on the cubicle wall like a friendly gargoyle. “You just ran a find‑and‑replace that changed every ‘it’s’ to ‘its’ in a client doc and nearly started a grammar war.”

“Was I wrong?” I asked, half‑smile.

“Sometimes it is,” he said, solemn. “Sometimes it’s it’s. There are mysteries even you cannot parse.”

We laughed. Then he lowered his voice. “For real. You seem… distracted.”

“I’m dating someone,” I said, as if that were both sufficient and an explanation that would allow him to nod and move on.

“Must be nice,” he said, genuine. “Don’t let Marion see you nod off in the conference room though. She has a whole file of photos she uses to scare interns.”

“Noted,” I said, rubbing my eyes.

Later, Tasha sent me a link to a stupid video of a dog failing to catch a treat mid‑air, followed by: You good? 1 for yes, 2 for need a coffee, 3 for need an alibi.

I wrote back: 2. Maybe 2.5.

She brought me a tea, because she apparently knows better than my pancreas too. “You look like you need a hug and a nap,” she said. “In either order.”

“Hugs are not compliant with company policy,” I said.

“Then I’ll stand here threateningly with maternal energy until you accept help,” she said, and stood there until I smiled enough to satisfy her.

The last week of May, Anaïs texted me from my kitchen while I was at work: I’m making a gorgeous mess. Come home and save me. I pictured eggs and flour and a spectacular failure we’d scrape into a bowl and call dessert. When I arrived, it was exactly that. The counter was a cloud of powder, and the floor a map of steps that proved she didn’t understand that mess is its own medium.

She turned as I walked in and lifted her flour‑coated hands in surrender. “I tried to make bread,” she said. “I made a crime scene.”

“It’s beautiful,” I said, before noticing that her eyes were bright with the kind of brightness that meant we would be fine if I reacted correctly in the next thirty seconds.

She stepped forward, pressed a streak of flour across my cheekbone with a finger, leaving a mark like a blessing or a challenge. “You look better dirty,” she said.

I grabbed a towel to clean the counter, and she laughed, delighted. “Of course. You’re going to rescue the counter before you rescue me.”

“I’m rescuing us all,” I said, aiming for play. “Equality.”

“Do you hear yourself?” she asked, but she was smiling, and it seemed the right answer in a multiple‑choice test I hadn’t studied for.

We ate bread that was more metaphor than food. We lay on the floor and let the fan claim the heat from our skin. She told me a story about her mother moving apartments in the middle of the night “for the adventure of it,” which I translated to survival without changing it aloud. When she fell asleep, open‑mouthed, I watched the rise and fall of her ribs and thought of the first time at the café, of the green scarf, of how certain I had been that I was walking toward something good.

I wish I could say I asked for boundaries like a grown man who knows his limits. I didn’t. I asked for quiet in the small places: the thirty minutes after my alarm before conversation, the first cup of coffee in silence, the sanctity of the top shelf where my passwords and passports lived. She agreed to all of it, sincerely in the moment, then broke the agreements because sincerity is a time‑limited product.

One morning, she shook my shoulder before my eyes opened. “Wake up,” she said, bright and relentless. “I wrote something and I need you to hear it before it falls apart.”

“Coffee,” I said into the pillow.

“Poetry,” she insisted, thrusting the notebook toward me like a defibrillator. “It’s your fault if it dies.”

I sat up, took the pages, and read while the room was still gray. The poem was good, and telling her that was not a kindness but a report. She watched my face like a storm chaser watching the sky.

“Don’t lie to me,” she said. “I can smell it.”

“I don’t lie to you,” I said.

“Except when you say you’re fine,” she murmured, not unkind, and put her head on my shoulder.

The day after the glass, I swept again and found a sliver that had somehow traveled into the hall. I turned it in the light with my fingers and watched it catch. It was nothing and could make blood if asked.

In the office, I missed the obvious in a log review because my mind wandered to whether I’d locked the door that morning after her. Andre caught it. “You okay?” he asked again, gentle in the way men in their thirties learn to be when they love their friends but don’t want to scare them into silence.

“I’m...” I started, then stopped. “I’m distracted.”

He nodded like that admission was a door he had been waiting for me to crack. “You don’t have to tell me by how much.”

“We’re… good,” I said, feeling the need to defend the part of the story that still made me happy. “It’s a lot.”

“Good and a lot,” he said. “Two things can be true.”

He left a granola bar on my desk and later sent a memo he’d written with my name first in the byline. I stared at it and felt something in me loosen: not relief, exactly, but the recognition that someone else saw me as I had been before I began to re‑arrive as a person who swept for glass in the afternoon.

The small ways Anaïs claimed the apartment accumulated into a new map. The mug I always used for morning coffee became the mug she liked for late‑night tea. My shower shelf made room for three products with names that sounded like spells. The far corner of the closet filled with shoes I’d never seen her wear but which apparently symbolized options. She put a book under one leg of the dining table to stop the wobble I had ignored for months, then made fun of me for tolerating imperfection in a piece of furniture while chasing it out of a sentence.

“You’re an inconsistent man,” she said, pleased to have found a paradox she could carry around and present at parties.

I didn’t tell her inconsistency was my hobby; it sounded too much like a defense of my right to not be optimized, and I knew that argument would end with a list of the ways she improved me that I would not be permitted to disagree with.

When her lease renewal came up, she mentioned it as if the paper had mailed itself to our house instead of hers.

“I could let it lapse,” she said, toeing a line in the grout between the kitchen tiles. “The landlord raised it again. For what? The romance of brick dust?”

“You love that place,” I said, meaning you love your postcards on the wall and the way your cat knows which hour the radiator will sing.

She shrugged. “I love places that love me. Your place loves me. It holds me.”

I wanted to ask if I loved her enough to count as a lease. I wanted to ask if love was what would be required to sanctify the invasion. Instead I said, “Whatever you want to do, we’ll figure it out.”

She smiled, and it wasn’t triumphant. It was relieved in a way that made my heart pull in two directions.

“I’ll think,” she said. “I don’t make decisions under fluorescent lights.”

The night ended like a lot of nights. We brushed our teeth at the same sink. She bumped me with her hip to make space, pretending my body had been in her way on purpose. In bed, she braided and unbraided a lock of my hair slowly while the TV murmured the safe rhythm of a show designed to offend nobody. She fell asleep first, and I lay awake and mapped the new soundscape: the way she breathed, the way the building settled with the weight of our two languaged lives inside it, the catless quiet that now felt like a placeholder waiting for a future we had not agreed to.

I thought of the drawer with the amber bottle in the back corner. I thought of the glass shard flicking light at me from the baseboard. I thought of how cleverly love can present itself as a solution to the problems it is making.

Then I thought of her on stage, speaking a door into a room until the room learned how to listen, and I decided I was not a man who gave up on people who made worlds out of words.

In the morning, she shut a cabinet too hard, and the plates inside rattled like teeth. I flinched, and she saw, and she winced like she’d kicked a dog by accident. “Sorry,” she said quickly, and shut the next one soft, soft, softer.

“Alive?” she texted me an hour later as I rode the elevator up.

“Me too,” I wrote back.

The doors opened. The day began. And in my pocket, my phone warmed the shape of her name against my thigh like a hand.

Book Dashboard
Jump to Part ▾
All Part ranges